maaya flicks his cigarette and follows the man on his scooter PATHERGHATI ROADS - DAWN - CONTINUOUS maaya watches an old security guard finish talking to his colleagues, get on his moped and drive. deentarvaata inkeppudoo poleesulaku dorakkoodadanukunnaadu. PRISON - D/N Maaya, before finally being let out of prison looking like a jihadi, butterflies hover near him, birds chirp in his beard and thesunlight makes a halo around him, making him look divine andbohemian (musical crescendo) maaya, freeze on him, hovering like a fly. (furious-ramp begins).sitting in his cell watching calendar pages fly, as his beard grows in a time lapse and he is hitting stones in a quarry, squatting in a stink hole, dreaming of money towers, eating shit, hitting stones in a quarry, dreaming of money towers, hitting stones in a quarry. VAMSI (V.O) kaanee eesaari maayaa maastar ku pedda sikshapadindi. okka maataalo chepaalantae oosaravellilaantodu in a ‘scorcese dolly’, we see maaya master entering jail as a juvenile- a young man-a middle aged man and finally as a slightly worn out older man (the accompanying constables age and tire with him). ae bhaasha maatlaadae vaaditonainaa, ae praantam vaallatonainaa. JAIL - D/N VAMSI (V.O) maayaa maastar ku jailu attorillulaantidi. C.I SRINIVAS maayaa.naakodakaa aipoyaavuraa. POLICE STATION - D/N a c.i in a police station is shredding and throwing reports in bloody rage as constables look on nervously. policesulne veepilni chesi motham kotesadu. NEWSPAPER PRESS ROOM -D/N we see workers in a newspaper press reading an article about maaya. his photo-image arrogantly grins showcasing a golden tooth. POLICE STATION - D/N ’bang’! maaya master’s stamped poster goes up on a police wanted list. veedi cheyyipaditae, elaanti lockarainaa pagilipovalisinde. janaallogaanee, "maayaa maastar" antaenae taeliggaa gurtupadataaru. poleesollaku gaanee, paeparollaku gaanee. VAMSI (V.O) asalu paeru maayaloori madan. THE BACKSTORY MONTAGE - CIRCA 1987 maaya as a young man, cracks the vault at escapes with a masked gang circa 1987 to the sound of burbled aakashvaani: newspaper pictures and articles roll on screen. he’s watching a building at the end of the street. BANK STREET PATHERGHATI - DAWN we see a pair of worn fingers light (match box) an unfiltered cigarette, maayaluri madan, tall, 45 years, pockmarked, well built and immaculate. a furious tilt from a cawing crow streaking through a mild orange sky. an image inferno of a life lived and a love lost. cash flies against the blue sky like freed doves,his eyes flicker to a close. VAMSI (V.O) naalanti chettanaakodukki praemenduku?. close on weary tired dying eyes, they flicker open to reveal a bleeding and bruised young man.
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a gun is nestled on the drivers window of a launch boat, overlooking the papikonda and the mighty godavari. naenu chaesina tappuloo, oppuloo okkokatiga kanipistunai. gatamantaa kallamundu girruna tirugutondi. aem jaragakuddonukunnanno adae jarigindi. LANKA ISSAKA GODAVARI BASIN - EVENING In darkness with intermittent shafts of blue sky, a voice‘radiostatic’ like.
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