Kendrick Lamar throws off the messianic trappings of life as a rap god and the unlikely voice of a cursed people to focus instead on Kung-Fu Kenny, the mortal man. Ultimately, he defaults to being brutally honest - a forte of his and a fitting decision given his aversion to uplift by this point. At the arrival of his fourth studio LP, he stands at the summit and stares out over the universe - worlds he created and those he inherited by virtue of his birth - ultimately disappointed by the awe-inspiring transcendence he does not find there and likely at a loss for words as it pertains to what he will tell the homies waiting for him back below the base of the mountain, fanned out across the block, still eager to get on. , Kendrick Lamar had battled the evils of Lucy and journeyed to the mountaintop to lay claim, once and for all, to high power. The pause after the gun fires is just long enough to force each listener to contemplate the toll this calling has taken on Kendrick and the role they may have played in inflicting the damage.īy the Good Friday 2017 release of DAMN. Play the project loud enough and the opening shot is palpable. Even more, however, these men remain committed to making the brevity of black life very real by the end of the opener, which finds Kendrick perfecting his cinematographic pen game and dying at the hands of a blind, gun-toting assailant in spite of his success on “BLOOD.”. It is a calling that becomes very real and urgent when Kendrick avoids the predictable gut punch of rap beef on wax to instead call out Geraldo Rivera and FOX News within the first trio of tracks. To make black manhood more than just lifeless bodies, iced-out caricatures, and exaggerated media tropes. Whether that requires taking young spitters off the street and placing them in the studio, torching other rappers for their failures, putting competing label rosters to shame, or penning protest anthems, Kendrick Lamar Duckworth and Anthony “Top Dawg” Tiffith’s common calling is one constructed to relay the human experience and somehow finally cement rap as more than the reductive valuations of hyper-critical outsiders who have leaned for decades on the suggestion that hip-hop is not art, but instead just talk. All of them black men on these circuitous but seemingly preordained missions - from the projects to the front register of KFC and cartwheels at the estate - to bring or ultimately speak life into the world. Over bullets and extra biscuits, we become acquainted with a previously elusive Top Dawg, Ducky, and his son, “Kung-Fu Kenny” - the Kendrick Lamar with the itchy trigger finger, razor-sharp tongue, and quiet reluctance to touch his hard-earned riches. Kendrick Lamar DAMN Album Download.“Whoever thought the greatest rapper would be from coincidence/ Because if Anthony killed Ducky/ Top Dawg could be servin’ life/ While I grew up without a father and die in a gunfight.”įor the first time ever, we are forced to grapple with the idea of life on Earth without Kendrick Lamar.
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